Aaron Freeman - Genene

Since Aaron Freeman announced the necessary demise of his arch persona Gene Ween - the well loved and prolific songsmith he had produced music under since 1984 with his partner in crime Dean Ween (Mickey Melchiondo) as Ween - he may have puzzled fans with his first solo outing being an album of unearthed covers (Marvelous Clouds) by supposed legend Rod McKuen with whom he had a puzzling but befitting kinship. A crop of new original music is just what Dr. Rock ordered although it's no surprise that we're getting the kinder, gentler version of The Golden Jew.



Certain to further confuse his rabid fanbase Aaron was contacted by Hidden Track about Genene at his hospital room in Belgium where he is undergoing “a transformative procedure.":

He immediately made sure to tell us, “This song is left to interpretation on purpose. To me it’s just an honest song about where I’m at, creepy, real and pretty, just the way I like it.” Freeman finished our chat by saying, “On one hand it’s about change and acceptance on a personal, spiritual level but can obviously be interpreted literally as a sex change.”

These themes of transformation, transmogrification, shifting seem fitting for Freeman (now sober for over a year) at this point in his life and other demos with spoken word samples like Signs of The Transgression riff on similar themes.  Currently on his A. Freeman soundcloud he is only streaming two songs.  Rivers and God2.  Fortunately one of the resourceful brown minions of the Boognish captured and posted for download the majority of 2012 demos that had streamed briefly (excluding Genene unfortunately).

Aaron Freeman (Gene Ween) solo album Marvelous Clouds

Performing under his hebraic name Aaron Freeman for the first time the Golden Jew himself will perhaps quizzically release an album of material entirely written by a woebegone and suitably obscure songwriting iconoclast Rod McKuen.

McKuen it turns out is nearly as prolific a songwriter as Prince having penned some 1500 songs for artists ranging from Perry Como and Petula Clark to Waylon Jennings, Chet Baker, Johnny Cash, Andy Williams, Pete Fountain, the Kingston Trio, Percy Faith, Dusty Springfield, Johnny Mathis, Al Hirt, Greta Keller, The Boston Pops, the London Philharmonic and the Chairman of the Board himself Mr. Frank Sinatra. 

Having been a poet travelling in similar circles to Alan Ginsberg and Jack Kerouac he would later travel abroad to France where he encountered the Belgian songwriter Jacques Brel.  McKuen is well known as the translator of the chansons of Jacques Brel and in turn introduced him to the American market.  While his collections of poetry have sold broadly, with two Oscar and one Pullitzer nominations for his serious musical compositions from his later period, he is widely reviled if not seriously shat upon by cultural critics.  The appeal then to Freeman, performing under his own name for the first time but giving voice to the songs of a passed over and by most accounts shmaltzy legend, becomes self-evident for anyone familiar with the ground from country to glam that Ween traipses back and forth across like the children of Springfield and Shelbyville do about their town lines.

At the height of his popularity in 1969 McKuen was named by Newsweek magazine 'The King of Kitsch' elsewhere his purplish poetry is variously crititically and vituperatively described as 'tailor made for the sixties', 'treacle', 'schmaltzy', 'smarmy', 'sweet kitsch', 'superficial platidinous and silly'.  In short adjectives that describe a good measure of Ween's back catalogue.

Marvelous Clouds (produced by Ben Vaughan of Ween's 12 Golden Country Greats yore), a collection of 13 songs written by McKuen, is due out April 10 on Partison Records

‘Marvelous Clouds' track list:

1. As I Love My Own
2. Jean
3. Marvelous Clouds
4. A Man Alone
5. The Beautiful Strangers
6. Doesn’t Anybody Know My Name
7. One By One
8. Pushing The Clouds
9. The Lovers
10. Mr. Kelly
11. Love’s Been Good To Me
12. Lonesome Cities
13. The World I Used To Know