True Story/ Dub Rock (Will Sessions vinyl)

It's very difficult to appreciate the sincerity and breadth of Detroit 'funk' band Will Sessions recent voluminous vinyl output unless you're as versed as they are in both Funk and Detroit Hip Hop.

As their name suggests they're a backing band for hire for fellow Detroit hip hop artists like Elzhi, Guilty Simpson and Black Milk.  They're also fully capable of backing actual Detroit soul heavyweights like Dennis Coffey who was one of Motown's original Funk Brothers studio band as well as having a substantial soulo career.

They're output of late (available on their bandcamp) represents intricate efforts to replicate live the productions of various hip hop producers; as they did on both Elzhi's recapitulation of Nas' Ilmatic as Elmatic with note perfect re-workings of beats by Pete Rock, Large Professor and L.E.S, or their Mix Takes One and Mix Takes Two which crams musical cues like a DJ set from the pillar of Detroit hip hop and neo-soul legend J Dilla, to his protege Black Milk, Guilty Simpson as well as rare funk cuts (and epochal hip hop samples) like Bob James Nautilus.



Here though on True Story they've truly out done themself.  True Story (moreso True Story Part 2 from Phat Kat's Carte Blanche)  is one of the most beautiful hip hop songs ever created with lyrics and vocals by Phat Kat (Ronnie Cash) and production by the notoriously underlooked and gifted producer Young RJ who with Black Milk were briefly BR Gunna .

In referencing the history of their contemporaries so flawlessly and with such reverence they are both doing something truly unique and making interesting statements about live music culture and sample based music culture.  Will Sessions are winking at the DJ, winking at the bedroom purist, the music writer and the crate digger.  More importantly they're winking.

Elzhi - Sound Clash Festival, Toronto (setlist)

Elzhi (elZhi)
Sound Clash Festival
Harbourfront Centre Stage
July 14, 2012
setlist

Blue Widow (from forthcoming album The Weather Report)
Halftime (prod. Will Sessions, orig. prod. Large Professor)
Life's A Bitch (prod. Will Sessions, orig. prod. L.E.S./ NAS co.)
D.E.M.O.N.S. (prod. Black Milk from The Preface)
Fire (Remix) (prod. Black Milk from The Preface)
Tainted (prod. Karriem Riggins, from Trinity Slum Village feat. Dwele)
Deadly Medley (prod. Black Milk from Album Of The Year)
Hiding Place (prod. 9th Wonder from The Minstrel Show Little Brother)
The World Is Yours (prod. Will Sessions, orig. prod. Pete Rock)
Come Get It (prod. J Dilla from Welcome 2 Detroit)
Do You (J Dilla from Detroit Deli (Taste of Detroit) Slum Village)
One Love (prod. Will Sessions)
Memory Lane (prod. Will Sessions, orig. prod. DJ Premier)
Represent intro>
Represent> (prod. Will Sessions, orig. prod. DJ Premier)
C.R.E.A.M. (prod. GZA, Wu Tang Clan)
Motown 25 (prod. Black Milk from The Preface)
It Ain't Hard To Tell (prod. Will Sessions, orig. prod. Large Professor)
Detroit State of Mind (prod. Houseshoes, orig. prod. DJ Premier)

J Dilla Untitled/ Fantastic (Original and two Instrumentals)

Here's three decidedly different takes on a song called Untitled (Fantastic) which first appears on Slum Village's second album Fantastic Volume II.  The production is attributed to Jay Dee (born James Yancey) later J Dilla. The sweeping string sample that carries along the original is augmented and arranged by Miguel Atwood-Ferguson in a piece with a 60 piece orchestra entitled Timeless: Suite for Ma Duke- named after Yancey's mom Ma Dukes herself. In the third context Will Sessions, a soul funk hip hop group, interpolates the same theme with largely rock instrumentation at 5:10 into Take One from their recent Mix Takes LP.

                   

                 

    

Will Sessions Mix Takes (Take Two)

Will Sessions Mix Takes LP - Take Two (partial tracklist)

Rico Suave Bossa Nova - Jay Dee (on Welcome 2 Detroit) 2:11
Pressure - Black Milk (on Broken Wax EP) 3:19
Danger - Black Milk (on Broken Wax EP) 4:13
Take Notice- J Dilla featuring Guilty Simpson (on Ruff Draft) 5:14
Goatit - Black Milk featuring Phat Kat and Elzhi (on Caltroit) 7:23


Again can't pick out the opening couple of minutes but at 2:11 Shellaberger lopes into the familiar bassline of Jay Dee's Rico Suave Bossa Nova again off Welcome 2 Detroit.  Kacir on the MPC or more likely Beaubien on the keyboard chimes in the 'whistling' melody.  This is just the sort of silky groove with a live feel that's perfect for re-interpretation with an actual live feel.  Then at 3:19 they slip into the earlier work of Black Milk digging around fairly deeply in the crates to find Pressure off the Broken Wax EP of 2006. Then again at 4:13 Ryan Gimpert on guitar is coaxing Danger from the Broken Wax EP, that track originally being done with Phat Kat and T3.   At 5:14 it's enough of the pupil's work and the teacher wrests back the mantle.  Take Notice featuring Guilty Simpson is a staple from Dilla's Ruff Draft.  It's both an emblematic piece of Dilla's production but also a classic example of the unique nature of their collaborations together.  A Dilla beat for Guilty, or a Dilla beat that Guilty rapped over, well it's no longer just a Dilla beat.

Bringing the whole train back round to their frequent collaborator Black Milk, again showing their breadth of knowledge and dexterity even with a mix of live instrumentation and sequenced samples, Will Sessions launches (at 7:23) into what seems in hindsight an obvious bet: Goatit (off the Caltroit mixtape put together by Bishop Lamont and Black Milk) originally with Phat Kat and Elzhi.

Will Sessions are beasts. And men among men.

Will Sessions Mix Takes (Take One)

Will Sessions Mix Takes LP - Take One (partial tracklist)

Nautilus (on One) - Bob James (1:44)

Made You Look (on God's Son) - Nas (2:22)

The Clapper (on Welcome 2 Detroit) - Blu/Jay Dee (3:05)

Antiquity (on Love Is The Answer) - Dwight Trible & The Life Force Trio/ J Dilla (4:09)

untitled/fantastic (on Fantastic Vol. 2)- Slum Village (5:10)

Nasty Ain't It (on Carte Blanche) - Phat Kat/ J Dilla (6:39)

Will Sessions Mix Takes is a limited edition vinyl LP out this month on Fat Beats. It plays through like a DJ set with each side an uninterrupted instrumental: Take One and Take Two. Will Sessions is a normally 8 piece soul-funk band known for backing such guitar and Motown luminaries as Dennis Coffey (one of the original Funk Brothers) as well as swelling up to 15 pieces as the Guilty Simpson Big Band. They've likewise backed other Detroit hip hop luminaries like Phat Kat and in particular trumpeter/keyboardist/arranger Sam Beaubien and bassist/keyboardist Tim Shellaberger both made measured contributions to Black Milk's standout Album Of The Year.

Here the 5 piece is rounded out by their longstanding bandmates: Ryan Gimpert (guitar/keyboards), Bryan Arnold (Drums) and Eric Kacir (Percussion, MPC). But it's the repertoire not the personnel that is so bloody fascinating about these two takes of music- two sides of a slab if you will. I haven't pegged the opening cut but at 1:44 on the nose they clearly launch simultanueously into Bob James Nautilus - one of the most sampled songs in hip hop history. It is so pervasive a sample that most people of this generation will recognize it solely from Ghostface Killah's Daytona 500 breakthrough single with the singular video. Elsewhere on their Real Sessions release the band plays this number as So Gone/ Nautilus with Black Milk. They're sticking largely to the Bob James original, admittedly chopping the sample or portion that suits them, but the punch and recontextualization in a hip hop setting suggests that they are playing whatever the listener hears: Nautilus/ Daytona 500/ So Gone.  Slamming two tracks together that might not have met otherwise Will Sessions leaves the listener aghast when they drop the strangled guitar line from Nas' Made You Look exactly at 2:22.

Then at 3:05 they do one of the singularly coolest things I've seen an instrumental, at least hip hop, group cook up.  What they do is they play The Clapper production attributed to Blu/Jay Dee from his first solo album Welcome 2 Detroit.  The Clapper's a funny choice for a number of reasons the least of which is its name.  Particularly if you're familiar with the near constant revolts and revolutions of sound that define his seminal (and final) Donuts full length, The Clapper in comparison sounds like that records redheaded stepchild.  It seems highly unlikely that Yancey (Jay Dee, J Dilla) would have imagined his early beat tapes circulated to MC's with their jokish and tossed off track names would later become a source of deep reverence- but they have become just that.  The Clapper itself is a funny by appearances fairly simple beat to knock off.   This is a sign in of a great craftsmen, the apparent ease with which they seem to render their creations.  It seems likely, and the members of Will Sessions all studied musicians render it with due humour and revery, this track was odiously hatched together from god knows what arcane sources because Yancey liked the particular clap sound (or likely a number of claps) he was able to sample then manipulate through his MPC (Midi Production Centre).   This process itself, the effect that an MPC has on the sound of original source material, gives certain sounds a 'woody' or in any case a pleasing sound to the ear.  Every hip hop sample you've ever heard has been pushed through one sort or another of these little boxes- some would say the loss of information from the signal is sometimes just as pleasing to the ear.  For Will Sessions then to play a fairly simple little diddy, a melody, a couple of rhythmic conceits in 2/4 time off  the floor live is for them no big challenge.  It's in the winking self-referential nod to all that Jay Dee was aware of and put into the track in the first place that gives the moment it's grandeur.

Then Take One just continues to build with nuances only the deep Dilla heads and crate diggers are going to chin wag too.  Having not only dropped The Clapper the group seamlessly progresses into a deep instrumental entitled Antiquity, which would typically have out jazz vocalist Dwight Trible's gravelly sentient voice overtop.  Adding insult onto injury this again morphs into a vaguely recognizable untitled number from Slum Village's Fantastic Vol. 2.  The piece de resistance though has to be the clarion call of the signature Dilla siren from Nasty Ain't It off Phat Kat's benchmark Carte Blanche LP.  Here Shellaberger ever the rock liquid bottom switches from bass to the bass pad and punches out the distinctive and hard line.

Will Sessions Elmatic and Elmatic Instrumentals

It's hard to know what to point to as primary in the recent flurry of output from Detroit based 8 piece soul funk ensemble Will Sessions.  This summer past they played a range of dates from clubs to large festivals soul wah guitar legend
Dennis Coffey (and original Motown Funk Brother).  They also toured in support of their Elmatic mixtape collaboration with Elzhi originally of Slum Village.  This is a refashioning of Nas' pivotal Illmatic with Elzhi revisiting the opus with live backing.  Both Elmatic and the Elmatic Instrumentals are available for free download and at least Elmatic is worth listening to for non beat-heads.

1. The Genesis
2. Detroit State of Mind
3. Halftime
4. Memory Lane
5. The World Is Yours
6. Represent
7. Life’s A !! Ft. Royce da 5’9 & Stokley Williams
8. One Love
9. It Ain’t Hard To Tell (Pete Rock Shout)
10. Pete Rock Shout

Elzhi releases Elmatic mixtape produced by Will Sessions

Elzhi originally of Slum Village, one of the most slept on so-called 'conscious' rappers of the past decade, has released an homage of sorts to Nas' debut Illmatic.   The Elmatic mixtape was made free for release yesterday and the recording can be found at this link. Production is attributed to Will Sessions, a sprawling soul funk with horns ensemble hailing from Detroit, Michigan. 

Having met and formed through the jazz program at Wayne State University Will Sessions backs or has backed (in addition to original Funk Brother Dennis Coffey) Guilty Simpson, Black Milk, Mayer Hawthorne, Monica Blaire, Phat Kat, & Rickey Calloway.

The most recent lineup of Will Sessions seems to be Sam Beubien (arranger/trumpet/keys), Bryan Arnold (trumpet/keys), Tim Shellabarger (drums), Tom Parks (trumpet), Matt Martinez (photos), Ryan Gimpert (bass) and Eric Kacir (guitar).  It's not clear how the group collaborates in a production environment with for instance Elzhi.  Sam Beaubien (in addition to being a member of The Country is particularly known for his superlative arrangement on Mayer Hawthorne and the Country's breakthrough album A Strange Arrangement.  Both Beaubien and Tim Shellaberger had their hands fully in the mix of Black Milk's trademark Album Of The Year showing an ease and facility collaborating in various genres.

Elzhi's Elmatic features guest spots from fellow Detroit heavyweight Royce Da 5'9, Stokly Williams (of Mint Condition) and the original producer of Illmatic Pete Rock.

The tracklist for Elzhi's Elmatic is:

1. The Genesis
2. Detroit State of Mind (Houseshoes Shout)
3. Halftime
4. Memory Lane
5. The World Is Yours
6. Represent
7. Life’s A Bitch feat. Royce da 5’9 and Stokley Williams of Mint Condition
8. One Love
9. It Ain’t Hard To Tell (Pete Rock Shout)
10. Pete Rock Shout

Dennis Coffey & Will Sessions (Scorpio Bass Solo) Live @ SXSW

Dennis Coffey backed by the Will Sessions ensemble/production team at this year's SXSW seen here performing a cut, or really a solo off a cut, from his seminal Scorpio album.

Coffey is booked in for a couple of central Canadian dates July 8 at the Horseshoe then later in the week at the mammoth Ottawa Bluesfest

Detroit Soul legend Dennis Coffey solo album forthcoming on Strut

Original member of the Funk Brothers and Detroit session player with innumerate plates under his belt is coming out with a self-titled album April 25th on Strut. He'll be backed for a date this Friday Feb. 25 in Detroit by Will Sessions and likewise at SXSW. Here's a teaser cover of Cee-Lo's Fuck You that evidences his trademark fuzz and wah.



There's a nice cover of The Parliaments All Your Goodies Are Gone on the Bama Love Soul website backed by Mayer Hawthorne. Coffey's new record will also feature cameos by The Dirtbombs’ Mick Collins, Rachel Nagy of The Detroit Cobrasand Milwaukee’s Kings Go Forth.

Dennis Coffey's discography includes the Black Belt Jones soundtrack and the following sessions