Bear In Heaven release Time Is Over One Day Old (tour dates)

Bear In Heaven are endearing to listeners of various stripes.  BIH is essentially a project of- originally Athens, GA based Jon Philpot's- which has been a reliable trio since the 2010 release of Beast Rest Forth Mouth.   Philpot plays synths, Adam Wills (bass) and drums (Joe Stickney).   Their psychedelic sound is deeply informed by krautrock and electronic music.  Philpot's preening falsetto is so high that admittedly the first time I saw them in concert I was actually surprised to realize he was a man.  After meeting them I also pleasantly learned that they are all died in the wool Deadheads although one could only hear that influence in their music in the most muted of ways.

2012's I Love You It's Cool failed to ignite the same critical fanfare that rightly accompanied their first noticed release.  Time Is Over One Day Old is a clear progression along the trajectory of these three albums each distinguished by a phased droning quality as well as the sharp precision and 'familiar' songwriting of Philpot. 

NPR are streaming the album up to its August 4th release date HERE. 

Mon. Aug. 4 - Brooklyn, NY - Rough Trade (record release instore)
Wed. Aug. 20 - Philadelphia, PA - Johnny Brenda's
Thu. Aug. 21 - Cambridge, MA - The Sinclair
Fri. Aug. 22 - Washington, DC - Rock and Roll Hotel
Sat. Aug. 23 - Carrboro, NC - Cat's Cradle (Back Room)
Sun. Aug. 24 - Atlanta, GA - Terminal West
Tue. Aug. 26 - Baton Rouge, LA - Spanish Moon
Wed. Aug. 27 - Houston, TX - House of Blues (Bronze Peacock)
Thu. Aug. 28 - Austin, TX - The Parish
Tue. Sept. 2 - Los Angeles, CA - The Echoplex
Wed. Sept. 3 - San Francisco, CA - The Independent
Fri. Sept. 5 - Portland, OR - Mississippi Studios
Sat. Sept. 6 - Spokane, WA - Bartfest
Sun. Sept. 7 - Seattle, WA - Chop Suey
Wed. Sept. 10 - Minneapolis, MN - 7th St. Entry
Thu. Sept. 11 - Chicago, IL - Lincoln Hall
Fri. Sept. 12 - Columbus, OH - A&R Music Bar
Sat. Sept. 13 - Toronto, ON - Horseshoe Tavern
Sun. Sept. 14 - Montreal, QC - La Sala Rossa
Tue. Sept. 16 - New York, NY - Bowery Ballroom
Wed. Sept. 17 - Brooklyn, NY - Music Hall of Williamsburg
Thu. Oct. 2 - London, UK - XOYO
Fri. Oct. 3 - Brussels, BE - Beursschouwburg
Sat. Oct. 4 - Paris, FR - Espace B
Sun. Oct. 5 - Amsterdam, NL - Bitterzoet
Mon. Oct. 6 - Cologne, DE - Studio 672
Tue. Oct. 7 - Berlin, DE - Kantine am Berghain
Thu. Oct. 9 - Copenhagen, DK - Ideal Bar
Fri. Oct. 10 - Lund, SE - Mejeriet
Sat. Oct. 11 - Stockholm, SE - Kagelbanan
Sun. Oct. 12 - Goteborg, SE - Pustervik
Mon. Oct. 13 - Oslo, NO - John Dee
Tue. Oct. 14 - Bergen, NO - Landmark
Thu. Oct. 16 - Aarhus, DK - RADAR
Fri. Oct. 17 - Hamburg, DE - Aalhaus 
 

Bear In Heaven Fader Mix (download and tourdates)

Jon Philpot

Bear In Heaven are one of the most exciting psychedelic groups to come along in the past decade.  Admittedly it wasn't until I caught their devastating live show at the Ottawa Bluesfest a couple of summers ago, touring in support of Beast Rest Forth Mouth, that I realized that the lead singer was a man.  Listening to the record was vexing and not entirely comfortable.  It was one of those things you picked up because it landed in Pitchfork's top 50 and though you're convinced Pitchfork's utter shit there's probably something interesting going on from 30-50 on their best albums of the year.  Beast Rest Forth Mouth proved a long shot favourite.  In hindsight credit where credit's due they did give the incredibly deserving group their 'Best New Music' award nailing bang on what made the 2010 release so vexing:

"Beast Rest Forth Mouth is as familiar-feeling as it is difficult to pinpoint. Mostly made up of textural, spacious three- to four-minute pop anthems with towering choruses, BRFM is a welcome reminder that an album doesn't have to be bombastic to feel huge and important. Take out the earbuds and let it fill a space: This is music that's bigger than your iPod—music you'll want to feel all around you. Though not quite coming out of nowhere, BRFM seems like a surprise gift—a striking consolidation of the spiky psych-prog tendencies of their debut into a pop framework." ^[2]

Jon Philpot - Cisco Ottawa Bluesfest July 10, 2010

Seeing the band live I was duly chuffed, at a festival that opened it's first day with an epic performance by Furthur (the post-Grateful Dead vehicle fronted by Phil Lesh and Bob Weir), when leader Jon Philpot emerged wearing a Europe '72 Grateful Dead t-shirt.  Though Bear In Heaven's, who largely hail from Georgia but are thought of as a Brooklyn-based band, brand of psychedelia bears faint if any resemblance to groups like the dead or fellow southerners the Allman Bros. Band.   Their influences are more obviously krautrock and electronic music but their intent is quite consistent with psychedelic values of yore.  Where most psychedelic bands play a lot of notes (often accused of playing far too many) Bear In Heaven weaves dense textural landscapes of sound over which Philpot in his preening falsetto scatters his somehow meaningful but half-heard lyrics.   Bear In Heaven is concerned with the weave of notes back and forth just as much as they are concerned with the wail of sound.  The fabric they fashion is always lush, inviting and somehow questions and prods the listener on into a braver future.

Bear In Heaven Fader Mix (download)

Tracklist:

Cex – Enter Carter
Kyoka – Hadue
Factory Floor – Lying
Andrew Pekler – Misty Blue
Craig Leon – Donkeys
Alpha Wave Movement – Beacon 2
Oblio – Factory Of Reincarnation
Invisible Conga People – Cant Feel My Knees
Andrew Fitzpatrick – Coyote Prism
Bear In Heaven – Kiss Me Crazy (Certain Creatures Remix)
Diamond Age – Opening Credits
Bear In Heaven – Greece Sun
Harold Budd – Wanderer

"You lose work, you find work, somebody steals your stuff, you sell some stuff to replace the stolen stuff. In the course of change, a hole is formed and then filled. It could be there for a second or you could stand at the precipice for years. For better or worse, Bear in Heaven is always changing. Some bands don’t change, often out of a desire to keep their listeners. We’re of the mind that we shouldn’t fight nature’s ever-shifting sands. At this point time, the ground is caving in. We’re years away from who we were when Beast Rest Forth Mouth came out and one year away from when we finished I Love You, it’s Cool. This mixtape is the sound of us deciding whether we should start filling the hole or just dive in. It might be fun, we might not hit bottom. We might fly to the other side of this strange dimension. Will you let us do it? Will you join us? We’re playing some shows in October and December. Come see us stand on the edge. In the meantime, enjoy this mix. It’s filled with music by our friends, people we’d like to be friends with and sounds from the road." - Jon Philpot

Tour Dates:

10.24 – Johnny Brenda’s – Philadelphia, PA * !
10.25 – College of William And Mary – Williamsburg, VA *
10.26 – Moogfest – Asheville, NC #
10.27 – MOTR Pub – Cincinnati, OH *
10.28 – Brillobox – Pittsburgh, PA *
10.29 – Black Cat Backstage – Washington, DC *
12.05 – Music Hall of Williamsburg – New York, NY * $
12.07-12.09 – All Tomorrow’s Parties By The National – Camber Sands Holiday Camp, UK

* with ERAAS
! with Pink Skull
# with Miike Snow, Squarepusher, Explosions In The Sky
$ with Small Black